目錄
特訪
003 中央芭蕾舞團團長馮英訪談劉春劉曉真采訪、整理
歷史回響
033 紅色的影調
芭蕾舞劇《紅色娘子軍》六十年影像源流考釋楊浪
049 紅色記憶的重要一本
革命現代舞劇《紅色娘子軍》采訪實錄謝洋
068 《紅色娘子軍》對蘇聯芭蕾舞劇創(chuàng)作理念的踐行趙鴻
084 芭蕾舞劇《紅色娘子軍》的民族化創(chuàng)作與人民性實踐金娟
096 20世紀60年代芭蕾舞劇創(chuàng)作與抒情傳統張紫嫣
師承借鑒
121 論舞劇的戲劇結構
［蘇聯］尤里約瑟福維奇斯洛尼姆斯基朱立人譯
144 舞蹈交響化理論及其運用
［俄］維克托弗拉里米洛維奇萬斯洛夫朱立人譯
167 發(fā)揚芭蕾的優(yōu)秀傳統
［蘇聯］彼得安德烈耶維奇古雪夫朱立人譯
179 給后人留下些什么？
［俄］鮑里斯雅可夫列維奇艾弗曼朱立人譯
188 1960年全聯盟會議
蘇聯芭蕾發(fā)展的問題與路徑
［俄］安娜葉甫蓋尼耶芙娜梅洛瓦茨卡婭趙鴻譯
200 舞蹈的力量：蘇聯時期現實主義舞劇創(chuàng)作的內核分析夏靜
216 20世紀60年代蘇聯交響芭蕾的藝術轉折點
以舞劇《列寧格勒交響曲》為例劉一
國際瞭望
231 約翰克蘭科和20世紀60年代敘事芭蕾的變革
［德］艾莉絲朱莉婭比爾勒王烜譯
268 編舞家石田種生所追求的日本的風土芭蕾
社會主義現實主義民族芭蕾的轉變
［日］稻田奈緒美向柳靜譯
297 芭蕾與政治
柴可夫斯基紀念東京芭蕾舞學校（19601964）
與冷戰(zhàn)時期蘇聯的文化外交［日］齋藤慶子向柳靜譯
336 作為記憶之場的《波萊羅》：譜系、時間與記憶
［比利時］斯特凡妮岡薩爾維斯楊悅譯
361 從芭蕾綜藝秀到1968年后的批判性劇場：
傳遞的形式
［德］蘇珊娜施利歇爾高音符譯
371 忽如一夜春風來
比利時20世紀六七十年代芭蕾發(fā)展狀況研究劉子琪
CONTENTS
Exclusive interview
003
Interview with Feng Ying, Director of the National Ballet of ChinaLiu Chun, Liu Xiaozhen
Echoes of history
033
A study of sixty years of Images from The Red Detachment of WomenYang Lang
049
An Important Record of Red Memory: The Interview Transcript of Revolutionary Modern Dance DramaThe Red Detachment of WomenXie Yang
068
The Practice of the Soviet Ballet Creation Concept in The Red Detachment of WomenZhao Hong
084
Nationalized Artistic Creation and People-Oriented Practice in the Ballet The Red Detachment of WomenJin Juan
096
The Creation of Ballet in the 1960s and the Tradition of LyricismZhang Ziyan
Inheritance and learning
121
On the Dramatic Structure of BalletYurylosifovich Slonimsky, translated by Zhu Liren
144
The Theory and Application of Dance SymphonyVictor Vladimirovich. Vanslov, translated by Zhu Liren
167
Carrying Forward the Best Tradition of BalletPeter Andreevich Gusev. Vanslov, translated by Zhu Liren
179
What to Leave for Future Generations? Boris Yakov levich Eifman, translated by Zhu Liren
188
All-USSR Conference of 1960: Issues and Ways of Evolution of the Soviet BalletAnna Evgenievna. Melovatskaya, translated by Zhao Hong
200
The Power of Dance: An Analysis of the Creation of Realistic Dance Drama in the Soviet PeriodXia Jing
216
The Artistic Turning Point of Soviet Symphonic Ballet in the 1960s: A Case Study of the Ballet Leningrad Symphony Liu Yi
International outlook
231
John Cranko and the Transformation of Narrative Ballet in the 1960s Iris Julia Bhrle, translated by Wang Xuan
268
The Pursuit of Japanese Local Ballet by Choreographer Ishida Taneo: The Transformation from Ethnic Ballet of Socialist RealismInata Naomi, translated by Xiang Liujing
297
Ballet and Politics: Tchaikovsky Ballet School（19601964）and Cultural Diplomacy of the Soviet Union during the Cold War Saito Keiko, translated by Xiang Liujing
336
Bole?ro as a Field of Memory: Genealogy, Time and Memory Stéphanie Gonçalves, translated by Yang Yue
361
From the Ballet Revue to Critical Theatre after 1968: Forms of Transmission Susanne Schlicher, translated by Gao Yinfu
371
Research on the Development of Ballet in Belgium in 1960s and 1970s Liu Ziqi
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